drum kept secrets, ancestral stories that have traveled from generation to generation and have stayed in the hands of those who manage to pay homage to all this amalgam of stories and cultures that make life between wood and leather. By the drum we have to communicate, build rhythms and has even served as an important element to keep away many of our ills. How are you are the reason that the teacher has drawn Orlando Poleo, drum through as produced Heal! recorded in 2007. Unlike his previous productions as Maroons, The Good Way or The beauty of life, healing! is a fully boxed disk into the sauce, dance over and over again, but you can also see the meeting of Caribbean rhythms with jazz and other urban expressions, feeling the contribution Poleo impresses in front of the congas, a contribution that has been nurtured by his studies of Afro-Caribbean rhythms that have originated in Cuba, Puerto Rico and Venezuela, and that Poleo has been developing and combining with each other, with shades from jazz and its surroundings, and sound particularly strong, without cracks or seams false. A sound that speaks to the Caribbean is one, powerful and magical, where they cook different flavors in the hot sun we all share.
With a repertoire of ten songs, Heal! record is of such work arrangements that wastes laden with good taste, deliciousness in the making and clothing of each topic and all the rhythm which has been fed Poleo over time, proving once again that the place it occupies within the music has won at the point of effort, talent and study Afro-Caribbean percussion. Highlights the work of his orchestra Chaworó-a whole truckload of flavor and Afinque, as we say in the middle salsoso - as well as three luxury guest that put a special note to the issue. They are Oscar D'Leon, who I dreamed authority on Fri On n'a qu'un , and the Cuban José Luis Quintana "Changuito" and Horacio "The Black" Hernandez in the subject Here are where class and wasting mastered the art of putting life into drum and drums, respectively. Poleo
guarachar invites us to his mastery of the congas, to heal the ills with the drum and to continue taking a stand without any complex with an album that brings the flavor of the salsa and the weight of an orchestra that sails smoothly Caribbean waters.
Orlando Poleo CREDITS: Philippe Slominski
Tumbadoras: Trumpet
Allen Hoist: Pablo Gil
Alto Saxophone: Tenor Saxophone
Sebastian Jimenez: Low
Gerardo Di Giusto: Piano
Simon Ville:
Timbales Luis Viloria: Bongo
Benigno Medina: Bata
Carlos Esposito "Kutimba" Lider Vocal & Güiro
Cheo Linares: Members
TRACK LIST 1 .- 2 .- Here are
Vie On n'a qu'un
3 .- 4 .- Born
Salsero Up My Montuno
5 .- Clave y Bongo Orlian
6 .- 7 .- Heal!
8 .- I'm from Venezuela
9 .-
Street Children 10 - Musical Hemisphere
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