Friday April 25, 2008
The music, especially jazz, is a vehicle that allows them to group together different genres and trends in single proposal, resulting in endless sound ways, opening up possibilities for the broad horizon display in all its richness and splendor. So, the proposal of Carlos Rodriguez and his Jazz Tra Tra conjugates gave us sufficient information from his perspective of music, where jazz and Venezuelan music a kind of symbiosis are able to open new routes within the auditory art.
Carlos Rodriguez and his Jazz Tra Tra
Carlos Rodríguez we presented part of what will be its next leader of group production, showing the entire domain string acoustic bass as low as electric bass, reaffirming the dimension that has reached through time, which has allowed him to play with great musicians like Gerry Weil, Soledad Bravo, Gonzalo Mico, Alberto Naranjo, Saul Vera and Ofelia del Rosal, etc. .
Carlos Rodríguez
For this occasion, Carlos Rodriguez was accompanied by Hildemaro Alvarez on keyboards, solvent and always creative, good taste and talent wasting. The battery was in charge of Miguel Hernández always energetic, versatile drummer who brings strength in the rhythms and deep knowledge of Afro-Venezuelan rhythm patterns. Julio Andrade was blowing soprano and tenor saxophones, shaping the air in each of their performances. Finally, could not miss the presence of four, which was the responsibility of Carlos Pineda, who with a high technical level in our national instrument completed the group. As a surprise of the night was a guest singer Emi Herrera, who displayed his vocal talents in couple of songs to the delight of the crowd.
Emi Herrera
Venezuelan Dynamics, jazz, responsiveness and delivery were some of the gifts we gave Carlos Rodriguez and his jazz Tra Tra, in a concert that showed us once again , the high level experienced during the VIII Festival de Jazz de
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